The new collection introduces three designs: Silvia’s Cloth, Cross Stitch, and Painted Thread. Each pattern draws on textile heritage and traditional handcraft, reinterpreted through a tactile process where embroidery, needlework, and stitching techniques are translated into contemporary patterns across printed fabrics and wallpapers.

The collection is born from a love of old crafts and the beauty of transformation, where simple materials find new life in a contemporary form that carries both presence and softness.

Hand-painted with intention, the patterns translate artisanal needlework into both printed fabrics and wallpapers, allowing the language of thread to unfold across interiors in layered harmony. 

Painted Thread originates from hand-painted ink studies on silk paper, where small strokes resemble fine stitches. The pattern forms a series of painted threats evoking the logic of handwork translated into a reduced visual language. It reflects a meeting between Japanese minimalism and Scandinavian sensibility, where simplicity of gesture becomes pattern. The result is a modern, minimal expression built from delicate, intentional marks.

Silvia’s Cloth draws on an inherited scalloped brooch belonging to Helene’s Swedish grandmother, and is named after her daughter, Silvia Blanche. It forms a decorative motif inspired by the silhouette of delicate ornaments and small brooch-like shapes; a pattern imbued with ornamental minimalism. Silvia’s Cloth references a historic, poetic world where Renaissance-inspired decoration meets a contemporary expression.

Cross Stitch takes its starting point in traditional embroidery, paying homage to noble threads and time-honored handcraft. Rooted in techniques such as cross-stitch and classical embroidery, the pattern forms a soft stripe, with delicate painted cross stitches. It reimagines craft traditions as a decorative print with clarity, detail, and a subtle sense of movement.